OMG it’s finished!

2025-07-30 17:25
[syndicated profile] tacit_feed


Last night, at 12:42 AM Eastern time, my Talespinnter and I finished the first draft of our novel Spin, by far the most difficult, ambitious writing project I’ve ever been part of.

This novel has a story. I mean, it also is a story, but on top of that it has a story. Lemme take you back.

I met her on Quora. She talked about beta-testing sex toys, I had some toys in need of beta testing, so I slid into her DMs with “hey, pardon the intrusion, but would you like...?” She said yes, I gave her some prototypes, she gave me an excellent beta report, she invited me to a tabletop role-playing game she GMed, and the rest is (still unfolding) history.

Anyway, I already have a wife, and a girlfriend, and a crush, so we needed something to call her. She’s a writer and a marvelously inventive creator of worlds, so we cast around for a bit, she called me her Toymaker, and I called her my Talespinner. A spinner of tales. A weaver of dreams.

One of her friends was like “The Toymaker and the Talespinner? That sounds like a YA novel!”

Naturally, we immediately started thinking of a way to write a novel about a Toymaker and a Talespinner. We invented a world, we sat down,a nd we started to write.

30,353 words into what we expected to be an 80,000-90,000-word book, we realized that the idea of casting it as a YA novel just didn’t work. The story that kept trying to emerge was not the story we planned out, but something much bigger, much more subtle, and much, much, much darker.

So we scrapped those 30,353 words and started over from a clean sheet.

We realized quickly that the complexity of the story meant we couldn’t wing it, so we drafted an extensive, detailed 11,000-word outline that also served as an extensive set of background notes on the world and its politics, much of which informs the story even though it’s not explicitly discussed in the story.

It’s now been over two years since we started work on this new, reimagined version of the story, with the working title Spin.

It’s a far-future, post-Collapse magical realism literary novel set in a world where the central United States is now a quasi-Calvinish theocracy called the Dominionate. Human population has crashed to under a billion people. Human fertility has crashed to about a quarter what it is now. As in The Handmaid’s Tale, fertile women are effectively slaves, but unlike The Handmaid’s Tale, the Dominionate has managed to build a stable society that actually works for most of its people. (That’s the true horror, I think, of slave societies; it’s possible to construct stable, prosperous slave societies in which most people—at least the ones who aren’t slaves—are reasonably happy. It’s a little distressing how quickly people can become inured to horror if their own lives are fairly pleasant.)

We’ve been grinding on this novel for more than two years. Narratively, structurally, and in scope and scale, it’s the most difficult thing I’ve ever written. We know the first draft is, well, a first draft, and still needs a lot of work, but I am immensely proud of this book. 

At one point, we found ourselves having difficulty nailing down the timing of part of the novel, so I flew out to Missouri so that my Talespinner and I could trace the steps of one of our protagonists. That let us put together a detailed timeline, and get a sense of the kind of terrain our protagonist would journey through.

A few thousand years from now, this will be the site of Half-Circle Cothold, the tiny village home to Aiyah Spinner.

I just...I cannot tell you how I feel that this first draft is done. So instead I’ll leave you with this excerpt. I know this is first-draft material in need of polish, but I’m so delighted to have it done I want to share.

“Ever notice how God tells the powerless to respect the powerful, but never the other way around?”

Nathaniel tensed, so subtly Diego doubted she’d noticed. He raised a finger, a quick subtle signal to Nathaniel to stand down. “Perhaps that’s because those with the most power also bear the most responsibility.”

“Ha! Easy for you to say. Look at you. The Grand Inquisitor, sitting atop a mountain of skulls, with the full might of the Church behind you. People die at your command. You answer to nobody but the Emissary himself.>Funny how those in high places seem to spend more time talking about their responsibilities than their power.”

Nathaniel tensed again. Diego folded his hands in his lap, observing her for a time. Finally, he said, “Do you love people?”

“What?”

“Do you love your fellow man? Do you wish for humanity to continue?”

She turned her attention out the window, away from Diego. “I like some people well enough, I suppose. Can’t say I much care for people as a group.”

“Ah, that’s where you and I differ,” Diego said. “You see, I am a fan of all mankind.”

“You have a funny way of showing it. You kill people. You enforce conformity with violence.”

“I protect humanity.”

“You protect the Church’s power. And your own.”

“Power, young lady, is a means to an end, not an end in itself. How much do you know of history?”

“Enough to know it has always been written by people like you.”

“You must know there once was a time when we built machines that flew through the air, that traveled the roads as we are doing now without the need of horses, that generated unimaginable power from the very elements of creation itself.”

“So?”

Diego held up his hand. “Indulge an old man with some measure of influence over your destiny, if you please. Do you know what brought that time to an end?”

“I suppose you’re going to say we turned away from God. We abandoned the Divine Plan.”

“No, I’m going to say I don’t know. Nobody does. The Church theologians have ideas, as theologians often do, but I would encourage skepticism of any theological answer that seems to suit the interests of the person offering it.” Larali’s eyes widened in incredulity as he continued, “What’s of greater interest to me is the cause of the cycle of growth and collapse that came after. Perhaps mankind wasn’t meant to live in large, complex societies. The ancients certainly didn’t think so. They believed our true nature to be tribal, suited to societies no bigger than a hundred and fifty or so.”

“What?” Larali leaned forward, engaged despite herself. “How is that possible? There were billions of them!”

“Indeed. Their scholars believed that in order for a large civilization to thrive, it was first necessary to replace loyalty to the tribe with loyalty to something else, something bigger than the individual, bigger than the family, bigger than the tribe.”

“Let me guess. Something like the Church?”

“Something like the Church.”

“So you’re the enablers of civilization.”

“Yes. What you say with scorn, I say in earnest. We are the enablers of civilization. The ancients built their societies by welding together feuding, warlike tribes through conquest, not just of armies, but of ideas. Disunity into unity through a single vision.”

“How convenient,” Larali snorted. “You cement your own power in the knowledge that it’s better for all mankind. The ends justify the means.” She stared into the darkness outside the carriage, where Lieutenant Blacklock’s horse kept pace. “You surround yourself with armed men to enforce your will, then sleep at night by telling yourself that you’re bringing the benevolent light of civilization to the wretched masses. How many of the ancients told themselves the same thing, do you think?”

“Spoken with passion, for one who doesn’t much care for people,” Diego said.

“Maybe I just don’t think you can slaughter your way to a perfect world.”

(no subject)

2025-07-23 12:14
jayblanc: (Default)
[personal profile] jayblanc
Listening to the '03 recording of Under Milk Wood. Trying to work out which now common phrases are ones that Dylan Thomas invented for the recital play, it may be impossible to know.

Transcendent Joy

2025-07-21 18:24
[syndicated profile] tacit_feed
Every second of every hour
Let your actions speak your will

Raise your head up high
Raise your head up high
So the heavens hear you cry
Light the brightest fire
From the highest mountain
So the whole world knows
That your spirit can't be broken

VNV Nation, Resolution

I love dancing. I've loved dancing for a very long time, though partner dancing is still relatively new to me.  One of the few things I regret about living in Portland is being able to go out clubbing at the Castle, the world’s best goth nightclub...and I say that after being in goth clubs all over the world.

I’m back in Florida at the moment, helping prepare my wife’s RV for a cross-country trip (during which we plan to shoot photos of abandoned amusement parks all through the US, with an eye toward publishing a coffee table photo book in 2026 or 2027).

So it came to pass that my wife is out of town for the weekend working, but her boyfriend was of a mood to go out dancing, and so he said, “hey Franklin, interested in going to the Castle?”

I first went there in...um, I want to say 1997 or so? Somewhere thereabouts. It’s been a fixture of the Ybor City district for a donkey’s age. And oh my God, it remains just as marvelous as I remember.

There’s something utterly transcendant about dancing.

There is something so pure, so absolute about losing yourself to the music that now, two days later, I struggle to express it, or even recall it, except as a maddeningly vague series of impressions.

I remember the joy, of course. If you could bottle and sell the joy I felt spending the entire night dancing, there might never be war again. It’s a joy so flawless and unadulterated that everything else in existence falls away into nothing, replaced by exultation that fills every corner of my being. I had forgotten, I think, in the years since I’ve last been goth dancing, just whas a jubilant experience it is.

Round about my third hour on the dance floor, when I was starting to feel tired enough that I kinda wanted to sit down for a minute but the DJ just kept absolutely killing it. There comes a point where you push past the fatigue into something else, something numnous, on the other side.

Parts of the evening only exist in my memory in fragments. I remember dancing to the Aphex Twin remix of the Nine Inch Nails song Reptile sandwiched between a goth lesbian couple to my left and a da-glo bubble-gum lesbian couple to my right.

Mostly I remember an overwhelming sense of sonder, the realization that every single person you see is living a life as rich and complex as your own, with their own histories and dreams, goals and ambitions, heartbreaks and sorrows, as though I were surrounded by two hundred brilliant, dynamic, complex universes, fifteen thousand years of joy and desire and loss and tragedy all intersecting in this one brief moment.

The dance floor exists in its own space, a small pocket universe set apart from the world. It’s a bit like being transported for a single night to some Land of the Fae—not a fairyland like one might find in a Disney movie, but a wildland, a place of the old fae, the dangerous and unpredictable fae...but not to worry, they’re not hunting, they’re relaxing and having fun.

At one point, a person who was obviously of the Fair Folk and not even trying to hide it grabbed my hand to lead me deeper onto the dance floor. The music poured through me, vibrating like molten silver down my back, and such delirious ecstasy took me that now, sitting here in front of my computer, I can recall only the shape of it, the outline without its substance.

There is a vicious, ugly streak of Puritanism woven deep in the fabric of American social life, a cynical suspicion and distrust of pleasure, a sneering contempt for doing things simply for the joy of doing them. We are all poorer, I think, for it, for forgetting that joy exists.

I've heard people say, often with a derisive sneer, that nightclubbing is fr twentysomethings with no direction in life, as though Serious and Grown Adults™ should eschew mere pleasure. I find that idea both toxic and farcical. If we are, as some people say, spiritual beings having a physical existence, then what virtue is there in denying that physicality, the very reason we are in this world in the first place? What point is there to existing, if we don’t lean into that existence? What has it gained us to turn our back on joy, besides strife, division, and suffering?

I think we are poorer for this turning away from the joy of existence. We are here today, and gone tomorrow. We take nothing with us from this brief moment in the sun. Let us enjoy what time we have.

(no subject)

2025-07-21 00:16
jayblanc: (Default)
[personal profile] jayblanc
I am adding mobile phone services to the things I will only buy from places with brick and morter shops on the high street. My provider expected me to confirm a verification code sent to my phone to get a new e-sim to replace one wiped by a hardware reset.

And also I have a migraine, and also I had to unblock the sink. Today has been a day.

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